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If artists are museum pieces and telecommunication towers are trees, where do dreams live?

A dark comedy happening in an abandonned theatre in war times.

 

In actual development of form and visual language: between sign language and gestural theatre, through the camera.
The teaser has been made at a first meeting in July 2022.

The story:
An old train arrives at a rainy and dark station; a trunk opens in one of the carriages. A travelling performer walks the streets barefoot and pulls the same trunk on wheels until she finds herself looking up at smoke and flames from the attic window of an abandoned theatre. A deaf actor and an old painter live in the doomed building. So it is that the three embark on an adventure that maybe, just maybe might save the theatre from demolition and humanity from itself. Our protagonists are joined by nine quite particular characters, a retired photographeress and a local boy. All play essential roles in The Great Theatre’s uncertain future.

Erika Webe is  co-screenwriter with Isabel Lagos, movement director and actress.
 

Writers intent: It is difficult to find us, the marginalised ones, and a necessity for the change we seek, but first we must remember.

Theatre State is currently part of the R&D Project "NEW CULTURAL FABRICS".
Supported by the region of Västra Götaland, Sweden.

SERIE DE SCENES EXISTENTIELLES, juin 2024, Paris

Prénoms

Border

Bacalhau

WhatsApp Image 2021-08-22 at 11.35_edite

A time travellers story and meeting between worlds.
 

Longmétrage réalisé par le Kollectif Revange en avril 2021 à Gothenbourg, Suède, à l'île de Hono et dans un ancien cinéma appelé KAPAREN.

Une production de GAO (Goteborgs Alternativa Orchestra) en collaboration avec Isabel Lagos.

Actuellement en édition.

Sortie en 2024

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